南宋时(⛏)(shí )汉水流(liú )域(🍕)河盗猖獗(jué )，朝廷(🐼)(tíng )为剿灭匪患(✊)(huàn )派出“横(🦊)江军(🛄)”精(🅱)英章盖(gài )出任(🎬)特使，稽查(🛢)河(hé(🎄) )上(🙄)大案。查案中与(📊)(yǔ )退役军人莫(🌋)客(🏍)偶遇(yù )，二人在(🐶)误会中建(jiàn )立(🆕)友(🧦)谊。恰逢莫客(kè(📬) )亲人女孩玉佩(⛪)被(👫)河(hé )盗掳(lǔ )走(♒)(zǒu )，二人携手(shǒ(🚦)u )救出(chū )玉(yù )佩和(🧢)被拐儿(ér )童，将(🚵)(jiāng )河盗正法，还一(💗)方(fāng )平安。

Aom is haunted by horrible nightmares which can’t be named & explained, she gets sicker everytime she got the nightmare. During her visit to her 80 years old grandma, she find out that, her grandma who looked more dead than alive, is hosting and feeding a ghost.

讲(🏯)(jiǎng )述一名(míng )退休(✳)的杀手(shǒu )，无奈(🤛)(nài )之下只能重(chó(🦒)ng )操旧业(yè )，用上(🕌)以往(wǎng )的杀戮(lù(♿) )技能，跟曾经的(🦏)雇(gù )主大(🔒)战一(🔻)场(🗯)...

阿呆和(hé )阿瓜(💂)是一对非常要(🐝)(yà(🚑)o )好的朋友，他们(👧)觉(jiào )得凭借自(🤫)己(🆑)的力量(liàng )可以(💤)修理一切，有(yǒ(🧝)u )麻(📠)烦发生时，只要(🏁)(yào )开动脑筋，利(🧒)用手(shǒu )边的(de )工(gō(🥚)ng )具都可以搞(gǎ(🥨)o )定。人(rén )们总会被(⛑)他(tā )们的“错误(🌶)”行为(wéi )逗笑，觉得(💢)他们有(yǒu )点笨(🛀)，大部分时间(jiān )会(🎹)把事(shì )情搞的(🐐)更糟(zāo )，但是(shì )呆(🦊)瓜兄弟总(zǒng )能(🔘)自己(jǐ )做(🌅)的事(♊)情(⛔)中找到“自己的(🎈)路”，并对(duì(⭕) )自己(🌧)努(👀)力之后的结(jié(😠) )果感到满意。因(🔳)为(🛣)(wéi )他们坚信一(📕)句话“伟大的创(🖕)造(😇)在最开(kāi )始的(🛎)时候也不是完(✳)(wán )美的，关键的是(🐁)开(kāi )始的(de )勇(yǒ(💔)ng )气”。

Tout va pour le mieux dans la vie sans histoires de Fanny... jusqu'au jour où elle découvre que son fils chéri, Arthur, 9 ans, est le bouc émissaire de trois garçons de son é(🎧)cole. Fanny ne laissera pas seul son fils face à ses petits bourreaux : elle va rendre à ces sales gosses la monnaie de leur pièce. Coups fourrés et pièges de cours de ré(🦌)cré, désormais ce sera "oeil pour oeil et dent pour dent".

A collection of horror stories involving cannibals, zombies “and other funny creatures”.

Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.

Paraíso Perdido é um clube noturno gerenciado por José (Erasmo Carlos) e movimentado por apresentaçõ(🈺)es musicais de seus herdeiros. O policial Odair (Lee Taylor) se aproxima da família ao ser contratado para fazer a segurança do jovem talento Ímã (Jaloo), neto de José e alvo frequente de homofó(🚉)bicos, e aos poucos o laço entre o agente e o clã de artistas românticos vai se revelando mais e mais forte - com nós surpreendentes.

During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.