ユミは夫と娘の３人(🏝)(ré(♐)n )暮らし。近々引っ越(🍌)しを(😁)考(kǎo )えている。ユミ(🏘)は(🐱)娘のレイナが時折う(📹)わ(🏺)言を発すること(👳)が(⛓)、少々気にかかってい(🔏)た。転居の報告も兼(📂)ねて(💈)友(🌷)人(rén )ヒロミと久(💍)々(🎹)に再会するユミ。話題(⏰)は(🗜)いつしか「あの日(🖨)」のことに。「私たちが(♓)埋(👷)めた時、本当に死ん(🤢)で(🐽)たのかな？」。ユ(🕰)ミ(🍻)は「あの日(rì )」のこ(➕)と(➕)を清算すべく、サ(💗)エ、(🏁)アコにも再会を決(🎱)意(🎽)(yì )し、廃墟のような(🧢)家(🚢)に一人(rén )で住(zhù(📡) )む(📽)サエに会いに行く。サエ(🔍)は、見知らぬ少女(🔰)が現(🔬)れ(🈸)て娘(niáng )だと言っ(🈚)て(🌑)聞かず、しばらく一(💘)緒(🧟)に暮らしていたが(🍗)死(sǐ )んだこと、そして(😶)少(⚡)女は死(sǐ )んだままそ(📎)の(⏳)家の３階に寝(qǐ(🤚)n )か(🐨)されているというこ(🚫)と(🙎)を話(huà )し出す。(C)「黄(🎫)泉が(🚃)える少(shǎo )女(nǚ )」製(⤴)作(🎋)委員会

1995年，Jonas是个躲(duǒ )在(🤘)(zà(🍉)i )柜(guì )中的14岁男孩(🧐)，他(👫)对英俊(jun4 )潇(xiāo )洒(sǎ )的(de )同学(🥫)Nathan一见钟情，尤其(qí )对(🚳)(duì )Nathan桀(🤪)骜(⚓)(ào )不驯的一面又(💊)爱(🌱)又怕。18年后(hòu )，三十而立(🐞)的(📒)Jonas已是风流(liú )倜傥(tǎ(📂)ng )的熟男，却仍在寻找人(ré(🏂)n )生(🥩)平(píng )衡点，因为挥之不(🧞)去(⏪)的回忆(yì )阴影，他(🍖)回(🐀)到睽违已久的家(jiā )乡(🌗)(xiā(💫)ng )，试图在每个记忆角(💬)落，寻(🆖)(xún )找(zhǎo )早已失去的(🔮)线(🤽)索、14岁的(de )自(zì )己(jǐ )，以(🍂)及(⛸)他曾经爱过的那(🖖)(nà(✉) )个(gè )男(nán )孩…

During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.

雷切尔和(⛰)男朋友分(fèn )手(shǒu )了(🌐)(le )回(huí(🎳) )到(🦖)家中发现室友把(🌶)她(👎)(tā )的(de )床卖(mài )了，于是她(😀)们(💙)俩只能睡(shuì )在一(yī(🧣) )张床上，在某个不可描(miá(👕)o )述(🏆)的(de )夜晚个夜晚，她两之(🧕)间(📐)(jiān )发生(shēng )了一些(🤹)事(🌵)情，蕾切尔动了真(zhēn )情(🎗)，而(💰)室友却觉得她太黏(🤣)人(rén )，两个人的友谊因同(🍕)床(🚵)共枕(zhěn )，而(ér )发生了微(💓)妙(🌻)的变化。@橘(jú )里(lǐ(🈺) )橘(🛰)(jú )气译制组

電影劇情是(🙉)一(yī )部(bù )勵(lì )志愛(🐖)情故(🥠)事(♐)，講述男女(nǚ )主(zhǔ(♐) )角(🧐)(jiǎo )兩(liǎng )人因一次交通(🍰)意(🚒)外，女(nǚ )方失(shī )去記(💥)憶，男方因此有預(yù )知未(🔊)(wè(🥛)i )來能力。吳卓羲表示：(🌦)「(🔹)我(wǒ )哋呢套係一(🍁)部(🔃)愛情至上(shàng )，又(yòu )好凄(🐸)美(🌜)又浪漫嘅愛情片，男(🎷)(nán )女之間又唔係牽涉床(🎶)上(💟)戲嘅(gé )，溫馨鏡頭嘅床(📮)戲(🎸)係有，都(dōu )要(yào )睇(🚽)(dì(🖨) )劇本睇下有冇需要攬呀(🌔)(ya )錫(xī )呀(ya )，其實情侶關(🔪)係必(😡)須(😹)要(yào )有(yǒu )嘅(gé )，如(🎫)果(➖)唔係觀眾唔知你(nǐ )係(🔚)(xì(👢) )情(qíng )侶(lǚ )。」

这部现(💿)代童话故事(shì )围绕(rào )一(😠)个(😾)女孩在一座神秘城(ché(🍘)ng )市(🎭)中(zhōng )的奇幻冒险(♎)展(🍐)开。U2乐队(duì )主唱(chàng )Bono与维(🥖)姆(🐒)·文德斯共同担任(🍅)监(jiān )制，Bono与威利·纳尔逊(🚤)操(🍽)刀原(yuán )声歌曲。

一名男(💷)子(🍊)不滿一樁(zhuāng )冤(yuā(🏡)n )獄(🍞)案件的發生，私自綁架(jià(🎭) )審(shěn )判(pàn )該案的法(🏚)官，將(🌥)其(🐫)囚禁(jìn )於(yú )地(dì(📥) )下(✡)室，並錄影開直播，公(gō(👯)ng )開(😵)(kāi )質疑其判決有誤(🏌)，要求(qiú )社(shè )會(huì )大(dà )眾(🏼)對(🔭)其進行公審並投(🔦)票(pià(🦗)o )，然(🌴)(rán )而最終的結果(🕯)，會(🚮)因此(cǐ )撼動(dòng )程序正(🕣)義(👠)嗎？

Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.

나만 사랑하겠(🎵)다던 그놈이 떠났다. 평생(📕) 한(🏨) 명의 남자만 만나온 "오(🚗)선(🛅)영"의 첫 실연 극복(🎒)기(🍜)